Borbin the 🐱

  • Bellevue Downtown Park

    📅 14. April 2025 · Panorama

    Sunny Sunday afternoon at the Bellevue Downtown Park.

    Interactive Panorama Bellevue Downtown Park 1


    1/800s f/5,6 ISO 100/21° f=7,5mm




    Interactive Panorama Bellevue Downtown Park 2


    1/800s f/5,6 ISO 100/21° f=7,5mm




    Lake 1


    1/400s f/7,1 ISO 100/21° 16-50mm f/3,5-6,3 VR f=16mm/24mm




    Lake 2


    1/1000s f/5,6 ISO 100/21° f=7,5mm




    Lake 3


    1/400s f/7,1 ISO 100/21° 16-50mm f/3,5-6,3 VR f=16mm/24mm




    Downtown View


    1/400s f/7,1 ISO 100/21° 16-50mm f/3,5-6,3 VR f=24mm/36mm




    Duck's corner

    Fisheye lens captures the corner of the waterfall, a favorite haunt for 🦆


    1/800s f/5,6 ISO 100/21° f=7,5mm


    Different projections:
    [Cylindric] [Equirectangular] [Mercator] [Rectangular] [Vedutsimo]

  • Seattle Overlook Walk

    📅 7. April 2025 · Panorama

    Last year, the waterfront project was still under construction (see Seattle Waterfront Park Project).
    Now, it has been completed and is open to the public as the Seattle Overlook Walk, connecting the iconic Public Market with the Aquarium.


    View from the Pike Place Market:


    1/1250s f/5,6 ISO 100/21° f=7,5mm



    1/1250s f/5,6 ISO 100/21° f=7,5mm



    Seattle Overlook Walk 1

    In the early morning, the fog drifts over the Puget Sound, creating a serene and mystical atmosphere.

    Interactive Panorama Seattle Overlook Walk 1


    1/1000s f/5,6 ISO 100/21° f=7,5mm




    Seattle Overlook Walk 2

    Early mist at the backside of the Ocean Pavilion.
    It looks stunning at night with the illuminated steps (check out the gallery at waterfrontseattle.org). In this panorama, however, it feels more like a foggy London crime scene from an Edgar Wallace movie.


    Interactive Panorama Seattle Overlook Walk 2


    1/1250s f/5,6 ISO 100/21° f=7,5mm




    Seattle Overlook Walk 3

    The sun reflects in the Ocean Pavilion.

    Interactive Panorama Seattle Overlook Walk 3


    1/1000s f/5,6 ISO 100/21° f=7,5mm




    Seattle Overlook Walk 4

    As the morning progresses, the fog lifts, revealing the Puget Sound in warm sunlight.

    Interactive Panorama Seattle Overlook Walk 4


    1/1250s f/5,6 ISO 100/21° f=7,5mm




    Seattle Pier 1

    The Argosy Cruises at Pier 55.

    Interactive Panorama Seattle Pier 1


    1/1250s f/5,6 ISO 100/21° f=7,5mm




    Seattle Pier 2

    Miner's Landing at Pier 57 with 'The Seattle Great Wheel' in the back.

    Interactive Panorama Seattle Pier 2


    1/1250s f/5,6 ISO 100/21° f=7,5mm



    1/2092s f/1,9 ISO 47 f=5mm/25mm 📱


    Taken a few minutes later from main Overlook Walk, with the fog still lingering.

    1/1250s f/5,6 ISO 100/21° f=7,5mm



    Seattle Public Market

    The Pike Place Market has been alive for over a century (since 1907) and has remained unchanged. Its resilience is evident in its ability to withstand the test of time, adapting to various economic and social changes while preserving its unique character and charm. Despite challenges such as modernization, economic fluctuations, and urban development, the market has continued to thrive, serving as a vibrant hub for local vendors and visitors alike.

    Interactive Panorama Seattle Public Market


    1/800s f/5,6 ISO 100/21° f=7,5mm



    See also Panorama Pike Place Market, Seattle

  • Birnen-Tart 🥧

    📅 28. März 2025 · Panorama

    Frisch aus dem Ofen

    1/60s f/7,1 ISO 200/24° 16-50mm f/3,5-6,3 VR f=21mm/32mm


    Fokus-Stacking, 1/125s f/5 ISO 200/24° 16-50mm f/3,5-6,3 VR f=30mm/45mm


    In Bearbeitung


    Fokus-Stacking, 1/125s f/5 ISO 200/24° 16-50mm f/3,5-6,3 VR f=30mm/45mm


    Kaffeezeit


    Ohne Fokus-Stacking


    Fokus-Stacking, 1/60s f/5 ISO 250 16-50mm f/3,5-6,3 VR f=30mm/45mm


    Siehe auch Combine pictures with PTGui, Focus stacking.

  • Minestrone 🍲

    📅 22. Februar 2025 · Panorama

    Besser geht's nicht. Auch mit dem Fokus-Stacking.


    Dieses Bild wurde aus zwei Aufnahmen erstellt, die aus unterschiedlichen Blickwinkeln, Brennweiten und Entfernungen gemacht wurden.

    Die Schritte mit PTGui sind einfach:

    • automatisch Kontrollpunkte erstellen lassen, und alle Kontrollpunkte außerhalb des interessanten Bereiches (Tellers) entfernen
    • ohne parameter a, b und c optimieren, also nur Blickwinkel und Gier-, Nick- und Rollwinkel, damit werden die verschiedenen Brennweiten automatisch erkannt und korrekt zusammengefügt


    Die Bereiche in Fokus zur Verwendung grün malen (rote Bereiche dagegen werden ausgeschlossen):


    Dadurch werden nur die jeweils scharf abgebildeten Bereiche verwendet:


    Siehe Combine pictures with PTGui, Focus stacking

    [1/60s f/4,8 ISO 100/21° 16-50mm f/3,5-6,3 VR f=30mm/45mm] [1/60s f/5 ISO 100/21° 16-50mm f/3,5-6,3 VR f=31mm/47mm]
    #FF6347 RGB(255,99,71)


    [1/60s f/5,3 ISO 250 16-50mm f/3,5-6,3 VR f=36mm/54mm] [1/60s f/5,6 ISO 250 16-50mm f/3,5-6,3 VR f=38mm/57mm]

  • Kirkland Piers ᚅ

    📅 19. Januar 2025 · Panorama

    Sunny Sunday afternoon at the Kirkland Piers.


    Interactive Panorama Kirkland Pier 1


    1/800s f/5,6 ISO 100/21° f=7,5mm



    Hidden, but in plain sight. This pier is next to the popular Marina park, but since the entrance is hidden behind the street, it was empty.
    The long shadow (picture #4 in the index) was covered by taking a nadir picture (picture #8 in the index) off center. Almost. One piece of the shadow is still visible at the siding of the pier.

    This panorama is the 2025 spring contribution for the event 'hidden' of WorldWidePanorama.


    Interactive Panorama Kirkland Pier 2


    1/1000s f/5,6 ISO 100/21° f=7,5mm


    Sauron is watching you.



    1/320s f/6,3 ISO 100/21° 16-50mm f/3,5-6,3 VR f=16mm/24mm




    1/320s f/6,3 ISO 100/21° 16-50mm f/3,5-6,3 VR f=16mm/24mm




    1/320s f/6,3 ISO 100/21° 16-50mm f/3,5-6,3 VR f=16mm/24mm

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Jürgen E
Principal Engineer, Villager, and the creative mind behind lots of projects:
Windows Photo Explorer (cpicture-blog), Android apps AI code rpn calculator and Stockroom, vrlight, 3DRoundview and my github


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